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Roger Perry’s photographs of graffiti in 1970s London were compiled in the 1976 book The Writing On The Wall. Perry (1944 – 1991), a photographer whose work regularly featured in Time Out, The Sunday Times, Vogue and Nova, captured a side of literary London when the city was hit by recession, poor housing and urban decay.

As singer George Melly (17 August 1926 – 5 July 2007) notes in the book’s introduction: “In a world of supermarkets, office-blocks, processed chickens, VAT forms, computers, ECT, time and motion studies, what graffiti proclaims is ‘Human beings rule OK!’”

“I used to go down to Basing Street a lot because Island Records had their studios there,” says Pearce Marchbank, who designed the book. “It was really rough around there at night. You’d come out of the studio at 4am and it felt like people were sharpening their knives on the corners of buildings, that kind of thing.

The excellent watercolour paintings of Misha Vyrtsev. Misha has a bewildering level of skill, humour and a magical touch with blending colours and textures.

More: Misha Vyrtsev, Instagram, Behance, Facebook

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It’s quite likely that these images will be the most adorable thing you look upon today. The Geek Kids Collection by Andy Fairhurst consists of kid versions of your favorite geeky heroes and villains drawn in a heart-meltingly cute fashion.

Andy Fairhurst also has a delightful superhero collection which you should definitely check out. In fact, you should just check out the rest of his work on his DeviantArt page. All of it is quite lovely.

More: DeviantArt

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Be still my robotic heart! The level of detail is astounding and makes the renders look more like production models than concept art. The robotic organs are a fantastic concept and give the robots a sort of macabre humanity. The next sci-fi blockbuster needs make use of these robot designs.

These amazing concept renders are the creation of Vladislav Ociacia. Ociacia is a digital artist from the Ukraine.

More: Buy Our Robot, Artsation, Facebook, Behance, DeviantArt, Instagram

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David Mercado/Reuters

It’s a cemetery for trains, for locomotives (previously). And it’s so big that it looks as though all of the trains in South America were moved to Uyuni, Bolivia, to chug their last chug.

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With a richly mesmerizing style of illustration reminiscent of science fiction’s artful past, the work of Pascal Blanche brings character, color, light and environment together, transporting you into beautiful worlds you just want more of.

He masterfully grabs gradients of color, wrapping in shadows and texture to bring the form to life, using KeyShot to make it happen from framing the work and dialing in the lighting to rendering the scene. We couldn’t wait to find out more from Pascal about his career and creating these wonderful illustrations.

More: Artstation, Behance, Facebook, Instagram

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